Hall of Crucifixion-Resurrection

The all new audiovisual program is now available TUESDAY-SUNDAY in the Hall of Crucifixion-Resurrection at the following times:

10 AM

11 AM (with Spanish subtitles)

Noon (with Chinese subtitles)

2 PM

3 PM (with Spanish subtitles)

4 PM (with Chinese subtitles)

No entry after 4 PM.

In the news: learn more about the Hall of Crucifixion-Resurrection in the New York Times. 

ATTENTION: The Hall of Crucifixion-Resurrection will be closed on the following dates:

December 1 (all day)

December 2 (all day)

December 3 (all day)

December 10 (all day)

December 14 (all day)

December 15 (all day)

December 16 (all day)

December 21 (all day)

We apologize for the inconvenience.

The Hall of Crucifixion-Resurrection occasionally closes for unexpected maintenance. If you are visiting from out of town, please email museum@forestlawn.com or call 323-340-4782 to confirm that the Hall of Crucifixion-Resurrection will be open for your visit.

The Crucifixion

The Crucifixion painting, by Polish artist Jan Styka, was originally brought by Styka to the Louisiana Purchase Exposition in St. Louis in 1904. Because of its massive 195 foot long/45 foot high size, he was unable to display it and was forced to return to Poland without it because he could not pay the duty to take it home. Styka, whose self-portrait is seen in the painting as the figure of Saul (Paul), died in 1925 without ever seeing his painting again.

The Crucifixion was stored in several warehouses over the years until Forest Lawn Founder Dr. Hubert Eaton and his colleagues located it at the Chicago Civic Opera company in 1943. Forest Lawn purchased it after World War II and built the Hall of the Crucifixion for the express purpose of displaying Styka’s work. It opened on Good Friday in 1951.

The Resurrection

The Resurrection was commissioned after a 25-year-long search for an epic painting that would serve as a companion to the Crucifixion. A contest was held and American artist Robert Clark was selected to create the painting. Featuring Christ outside his tomb looking towards the heavens, Clark’s work was completed in 1965.